Charlie Poole (b. March 22, 1892, d. May 21, 1931) and his brother-in-law, fiddler Posey Rorer (b. September 22, 1891, d. June 6, 1936), whom he had met in West Virginia in 1917 and whose sister he married, formed a trio with guitarist Norman Woodlief (b. 1901, d. 1985). The band was called the North Carolina Ramblers. They auditioned in New York for Columbia Records. After landing a contract, they recorded the successful "Don't Let Your Deal Go Down Blues" on July 27, 1925. This song sold over 106,000 copies at a time when there were estimated to be only 6,000 phonographs in the southern United States, according to Poole's biographer and great-nephew, Kinney Rorer. The band was paid $75 for the session.
For the next five years, Poole and the Ramblers were a popular band. The band's sound remained consistent, although several members came and left (including Posey Rorer and Norm Woodlief). The band recorded over 60 songs for Columbia Records during the 1920s, including "Sweet Sunny South", "White House Blues", "He Rambled", and "Take a Drink on Me". Former railroad engineer Roy Harvey was one of the guitarists. Fiddlers in various recording sessions were Posey Rorer, Lonnie Austin and Odell Smith.
Bill C. Malone, in his history of country music, Country Music, U.S.A., says, "The Rambler sound was predictable: a bluesy fiddle lead, backed up by long, flowing, melodic guitar runs and the finger-style banjo picking of Poole. Predictable as it may be, it was nonetheless outstanding. No string band in early country music equaled the Ramblers' controlled, clean, well-patterned sound."
Poole composed few, if any, of his recordings. Nevertheless, his dynamic renditions were popular with a broad audience in the Southeast United States. He is considered a primary source for old-time music revivalists and aficionados. Songs like "Bill Morgan and His Gal", "Milwaukee Blues", and "Leavin' Home", have been resurrected by banjo players. Poole developed a unique fingerpicking style, a blend of melody, arpeggio, and rhythm (distinct from clawhammer/frailing and Scruggs' variations).
Poole had been invited to Hollywood to play background music for a film, but died before getting there. He died after a heart attack due to alcohol poisoning in May 1931. According to some reports, he'd been disheartened by the slump in record sales due to the Depression. Although Rorer continued to make recordings with different bands, The Great Depression finally forced him to retire from music. He began working as a woodcutter and in 1936 for the Works Progress Administration. He died in June 1936 of a heart attack.