Sunnyland Slim

Albert Luandrew, b. September 5, 1907 in Vance, MS, d. March 17, 1995 in Chicago, IL. A seminal figure in the development of the post-war Chicago blues, Sunnyland Slim taught himself piano and organ as a child in Mississippi and spent many years playing around the south, before settling in Chicago in 1942. There he established his reputation with older musicians such as Lonnie Johnson, Tampa Red and Peter J. Clayton (some of his earliest records were issued under the pseudonym Doctor Clayton’s Buddy), but more importantly with the new breed of blues singers and musicians that included figures such as Muddy Waters and Little Walter. In the company of artists such as these, his powerful piano work was to set the standard for underpinning the hard, electric sound associated with Chicago blues in the 50s. He recorded extensively under his own name for many important labels of the period, such as Chess Records, Vee Jay Records and Cobra Records, as well as smaller labels, producing such classic Chicago blues sides as ‘Johnson Machine Gun’, ‘Going Back To Memphis’ and ‘Highway 51’. He was also to be heard accompanying many other important artists of the time, including Robert Lockwood, Floyd Jones and J.B. Lenoir, as well as those already mentioned. He is often credited as having helped younger musicians to get their careers started. Throughout the 60s and 70s, he recorded prolifically and toured widely both in the USA and overseas. In the 80s, although in ill health, he produced albums on his own Airway label, and lent assistance to young players such as Professor Eddie Lusk and Lurrie Bell. He died in 1995 of complications from kidney failure which prompted an immediate reappraisal and a series of reissued albums.

Sunnyland Slim Biography by Bill Dahl

Exhibiting truly amazing longevity that was commensurate with his powerful, imposing physical build, Sunnyland Slim's status as a beloved Chicago piano patriarch endured long after most of his peers had perished. For more than 50 years, the towering Slim had rumbled the ivories around the Windy City, playing with virtually every local luminary imaginable and backing the great majority in the studio at one time or another.

He was born Albert Luandrew in Mississippi and received his early training on a pump organ. After entertaining at juke joints and movie houses in the Delta, Luandrew made Memphis his home base during the late '20s, playing along Beale Street and hanging out with the likes of Little Brother Montgomery and Ma Rainey. He adopted his colorful stage name from the title of one of his best-known songs, the mournful "Sunnyland Train." (The downbeat piece immortalized the speed and deadly power of a St. Louis-to-Memphis locomotive that mowed down numerous people unfortunate enough to cross its tracks at the wrong instant.)

Slim moved to Chicago in 1939 and set up shop as an in-demand piano man, playing for a spell with John Lee "Sonny Boy" Williamson before waxing eight sides for RCA Victor in 1947 under the somewhat misleading handle of "Doctor Clayton's Buddy." If it hadn't been for the helpful Slim, Muddy Waters may not have found his way onto Chess; it was at the pianist's 1947 session for Aristocrat that the Chess brothers made Waters' acquaintance.

Aristocrat (which issued his harrowing "Johnson Machine Gun") was but one of a myriad of labels that Slim recorded for between 1948 and 1956: Hytone, Opera, Chance, Tempo-Tone, Mercury, Apollo, JOB, Regal, Vee-Jay (unissued), Blue Lake, Club 51, and Cobra all cut dates on Slim, whose vocals thundered with the same resonant authority as his 88s. In addition, his distinctive playing enlivened hundreds of sessions by other artists during the same time frame. In 1960, Slim traveled to Englewood Cliffs, New Jersey, to cut his debut LP for Prestige's Bluesville subsidiary with King Curtis supplying diamond-hard tenor sax breaks on many cuts. The album, Slim's Shout, ranks as one of his finest, with definitive renditions of the pianist's "The Devil Is a Busy Man," "Shake It," "Brownskin Woman," and "It's You Baby."

Like a deep-rooted tree, Sunnyland Slim persevered despite the passing decades. For a time, he helmed his own label, Airway Records. As late as 1985, he made a fine set for the Red Beans logo, Chicago Jump, backed by the same crack combo that shared the stage with him every Sunday evening at a popular North side club called B.L.U.E.S. for some 12 years.
There were times when the pianist fell seriously ill, but he always defied the odds and returned to action, warbling his trademark Woody Woodpecker chortle and kicking off one more exultant slow blues as he had done for the previous half century. Finally, after a calamitous fall on the ice coming home from a gig led to numerous complications, Sunnyland Slim died of kidney failure in 1995. He's sorely missed.