Label: Wolf Records.
Release Date: June 19, 1998.
Releases: June 2, 2015.
Recording Time: 75 minutes.
Recording Date: April 5, 1937 - June 5, 1940.
Release Info: Compilation Studio Recording.
Styles: Chicago Blues, Regional Blues, Delta Blues.
Recording information: Auroa, IL (04/05/1937-06/05/1940); Chicago, IL (04/05/1937-06/05/1940).
Robert Lee McCollum. Born in Helena, Arkansas, he left home at an early age to become a busking musician, and after a period wandering through southern Mississippi, settled for a time in Memphis, Tennessee, where he played with local orchestras and musicians, such as the Memphis Jug Band. A particular influence during this period was Houston Stackhouse, from whom he learned to play slide guitar, and with whom he appeared on the radio in Jackson, Mississippi. After further travels through Mississippi, he found it advisable to take his mother's name, and as Robert Lee McCoy moved to St. Louis, Missouri, in the mid-1930s. Local musicians with whom he played included Henry Townsend, Big Joe Williams, and Sonny Boy Williamson. This led to two recording dates in 1937, the four musicians recording together at the Victor Records studio in Aurora, Illinois, as well as recordings under his own name, including "Prowling Night-Hawk" (recorded 5 May 1937), from which he was to take his later pseudonym. These sessions led to Chicago blues careers for the other musicians, though not, however, for McCoy, who continued his rambling life, playing and recording (for Victor/Bluebird and Decca) solo and with various musicians, under various names. Kansas City Red was his drummer from the early 1940s to around 1946. He recorded Kansas City Red’s song "The Moon is Rising". McCoy became a familiar voice on local radio stations; then Robert Lee McCoy disappeared.Within a few years, he resurfaced as the electric slide guitarist Robert Nighthawk, and began recording for Aristocrat and Chess Records, the latter of which was also Muddy Waters' label; in 1949 and 1950, the two men's styles were close enough that they were in competition for promotional activity; as Waters was the more marketable commodity, being more reliable and a more confident stage communicator, he received the attention. Though Nighthawk continued to perform and to record, taking up with United and States 1951 and 1952, he failed to achieve great commercial success. In 1963, Nighthawk was rediscovered busking in Chicago and this led to further recording sessions and club dates, and to his return to Arkansas, where he appeared on the King Biscuit Time radio programme on KFFA. Nighthawk continued giving live performances on Chicago's Maxwell Street until 1964. He had a stroke followed by a heart attack, and died of heart failure at his home in Helena. He is buried in Magnolia Cemetery in Helena. Nighthawk was honored by the Mississippi Blues Commission placing a historic marker in Friars Point, Mississippi, marking his position on the Mississippi Blues Trail. The marker was placed at Friars Point, as Nighthawk called this town his home at various times during his itinerant career. He recorded a song called "Friars Point Blues" in 1940.
Personnel: Robert Lee McCoy (vocals, guitar); Henry Townsend, Big Joe Williams (guitar); Sonny Boy Williamson I (harmonica); Speckled Red, Walter Davis (piano).
Liner Note Author: Paul Oliver.
Credits: Elizabeth Cotten - composer; Walter Davis - piano; Robert Lee McCoy - composer, guitar, primary artist, vocals; Robert McCullum - composer; Paul Oliver - liner notes; Johnny Parth - producer; Speckled Red - piano; Henry Townsend - guitar; Big Joe Williams - guitar; Sonny Boy Williamson II - composer; Sonny Boy Williamson I - composer, harmonica.
Tracks: 1) Tough Luck; 2) Lonesome World; 3) G-Man; 4) Don't Mistreat Your Woman; 5) Prowling Night-Hawk; 6) Sweet Pepper Mama; 7) My Friend Has Forsaken Me; 8) Mean Black Cat; 9) Brickyard; 10) Mamie Lee; 11) Take It Easy, Baby; 12) I Have Spent My Bonus; 13) C. N. A.; 14) Every Day And Night; 15) Ol' Mose; 16) You're All I've Got To Live For; 17) She's Got What It Takes; 18) Next-Door Neighbor; 19) Big Apple Blues; 20) Freight Train Blues; 21) Good Gamblin'; 22) Gonna Keep It For My Daddy (with Ann Sortier); 23) Never Leave Me (with Ann Sortier); 24) Mama Don't Allow Me To Stay Out All Night Long; 25) Friar's Point Blues.